rediscovering color

colorado desert, california | 8.5.25

My subject matter doesn’t change much. I work with what’s around me, the open desert. Mostly within about a 2-3 mile radius from my door.

I’ve been working almost exclusively with black and white for several years now. I attempt some color occasionally but always abandon it. I’m not comfortable with it. Black and white has become the language I speak.

For me color, good color, is a real challenge. One I need now to expand on what I do. I’ve gotten too comfortable with black and white, which I won’t abandon of course. I’ve gotten to feel like a bit of a one-trick pony so I’ll work with color more. I can speak black and white pretty fluently. I want to learn to speak color too.

old and new

chiriaco summit, california | 6.30.25

This place, Chiriaco Summit was founded in August 1933, the same day a new highway, US 60 opened between Indio, California and Phoenix. It started with a couple of gas pumps and a small lunch counter.

Here’s one of the original gas pumps contrasted with the modern Chevron station that’s here now.

this matters too

colorado desert, california | 6.12.25

We’re living a troubling, dystopian piece of time right now. An ugly, growing stain is spreading across our country’s history, it’s reputation, the principles it was founded on. Where will it lead? Will we clean it up? Time will tell. But, lest we forget in all the chaos, this, the wild, matters too. Let’s not lose sight of that.

a brief thought

To my mind you never ‘arrive’ when it comes to photography. You’re always moving in one direction or another – sometimes forward, sometimes back, sometimes you take a circuitous sidetrack that leaves you wondering what the hell that was.

I think the most important thing is to work with the attitude ‘what if…’. You try things to find out. If it doesn’t work you’ll know it. If it has possibilities you’ll know that too. It’s all practice.

color or black and white

Recently I gave color another shot for several days. It’s okay, looks pretty good, there’s nothing wrong with it. But to me something vital is lacking in my color shots and I realize that black and white is my language. (I prefer to call it black and white rather than monochrome or grayscale. Old school I guess).

Why? Let’s say you sat a scientist, maybe a biologist or botanist, down in front of a dead desert ironwood alongside someone like Jim Harrison and asked each to write a short paragraph or poem about it. From the scientist you’d likely get an accurate description. Literal. Scientific. Factual. A scientific fact. But probably pretty dry. From Harrison you’d get a poem. An expression of soul. Of feeling. Of spirit and mystery. To me this is the big difference between color and black and white. Fact vs. feeling.

For me a worthwhile photo points to what Robert Adams called a mystery greater than our failures. Color, at least in my hands, is factual, doesn’t point to that mystery. It doesn’t have that feeling, that soul. It’s too literal. It falls short. Black and white can if done well. That, the doing it well, is the challenge.

thoughts on color

joshua tree national park | 5.14.25

I seldom shoot color. It’s not that I don’t like it, I do, but I’m rarely satisfied with the results I get. I don’t often like what I do with it. I’ve gotten so used to doing b/w that my color seems weak, that it doesn’t have the bite of b/w, and it doesn’t. But maybe it doesn’t need to. It has it’s own qualities.

I want to add more color to what I do, so I’m gonna challenge myself to work with it for awhile to see if I can make it work. For how long? Who knows – maybe a few days. Maybe a few weeks. We’ll see. Maybe I’ll decide that no, it’s not my medium. Maybe I’ll learn to like it. Only one way to find out. Stay tuned.